Preservation Services at Dartmouth College: Digital Production Unit Update, Part 2

Tuesday, June 24, 2014

Digital Production Unit Update, Part 2

The primary focus of the Digital Production Unit over the past few months has been to incorporate the new reprographic system into our workflows. Since we started using the new equipment in January we have been able to take advantage of its speed and high quality imaging in a number of projects.

We have redesigned our workflow for the Dartmouth College Photographic Files collection to use the new camera exclusively. The previous workflow for this ongoing project used two scanners on two computers and required additional post production work to gather all of the images together. Our new workflow consolidates all of that work onto one workstation. The streamlined workflow has created noticeable positive effects in the time it takes to complete work on this project.

Dartmouth College Photographic Files collection: (http://libarchive.dartmouth.edu/cdm/search/collection/photofiles/collection)

One of the first projects we tackled with the new equipment was to shoot recent Winter Carnival Posters. This was a great learning opportunity for us. The posters are large and colorful and gave us a chance to develop our skills with the hardware and software. We will add individual new posters as they become available in future Winter terms. In addition, we are in the planning stages of a project to reshoot all of the posters to upgrade the quality of our master images.

Dartmouth Winter Carnival Posters:(http://www.dartmouth.edu/~library/digital/collections/other/WinterCarnivalPosters.html)

We have also been able to use the equipment in support of smaller projects in Rauner Special Collections and for exhibits by Education and Outreach. Other work with the camera includes one-offs for various projects, quality assurance and corrections.

In other news, we continue to redesign our work area. We recently moved all of the scanning equipment into room 2D, turning that space into our scanning lab.

By Willliam B. Ghezzi

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Contributors

Deborah Howe Is the Collections Conservator at Dartmouth College Library. She's been involved in the book community for over 20 years. She is a member of the Guild of Book Workers and teaches classes in the Book Arts program.

Ryland Ianelli Is a cartoonist and Project Specialist in the Dartmouth Preservation Services department. He graduated from Reed College with a BA in Art History in 2008 and, more recently, from the Center for Cartoon Studies with an MFA in Cartooning in 2010. In addition to his work in Preservation and the Digital Production Unit, he is currently drawing and writing for various independently published comics and anthologies.

Barb Sagraves has been head of Preservation Services since its creation in 1995. She is a graduate of the University of Michigan SLIS program, has an MA in Medieval History from Michigan State University, and a BA in History from the University of Oklahoma. In her role as department head, Barb has overall responsibility for the preservation program and policies at Dartmouth College Library and is in charge of the Book Arts Program.

Jenny Mullins has been the Digital Preservation Librarian for Dartmouth College Library since May of 2014. Prior to coming to Dartmouth, she preserved video and audio collections, helped build a digital repository and worked in book and paper conservation labs. Jenny is a member of ALA and co-chair of the Preservation Metadata Interest Group for 2015-17.