Showing posts with label Book Arts Program. Show all posts
Showing posts with label Book Arts Program. Show all posts

Thursday, January 15, 2015

Book Arts Workshop Survey

Dear Book Arts Participant

In order to better serve our constituents, we have prepared a survey to gather feedback about the Book Arts Workshop. If you have a moment, please fill out this survey. We appreciate your input.

https://www.surveymonkey.com/s/RBCN3PN

The survey will be open from January 15, until February 5, 2015.

Thank you,

Sarah Smith
Special Instructor
The Book Arts Workshop


Tuesday, August 19, 2014

Attachments: Book Arts Style

My last post discussed attachments with a conservation focus. Sometimes the creative possibilities are more important than the archival ones, or piercing holes in items is part of the artwork itself. In that case, here are some further ideas to attach loose items onto a page or in a book.

Just keep in mind that some of the methods below may create permanent changes in the mounted item and are not recommended for valuable, historic, or borrowed materials. Consider the long-term effects of any of these before using in your own projects.

As we saw in the last post (July 22) these were some options for attaching loose items to pages:

Paper clips:

Historically paper clips were made of metal, but those can be prone to rust over time in certain environmental conditions. Alternative shapes to the classic double loop include this dog and the circle. Those made from plastic or coated wire are also commonly available. The binder’s clip is useful for thicker materials. Both paper and binder’s clips come in a variety of sizes.


Eyelets:
 

This creates a hole in both the page and the item attached. It requires an eyelet setter such as this one often available where craft or sewing notions are sold.

Brads: 


Brads usually come in a brass colored metal, but are also available in mini sizes and in a variety of colors. Some even have a shaped head, such as a star or square, like this one.  Brads, like eyelets
and staples, create holes in both item and page.

Staples: These can be hard to remove without causing damage.

Adhesive: Paste and Glue

Adhesives are generally a permanent method of attachment, whether glues, double-sided tapes, or dry-mount adhesives.  Pastes (as opposed to glue) are generally reversible, however they often leave evidence of their application and use.

Pockets & Envelopes:

Loose pockets or envelopes can be attached by a variety of methods, like any loose item. They can also be incorporated into an album during its creation by sewing them in as part of a section or in binding of single sheets. Extensions (or guards) can be attached to the binding edge to allow for ease of use, like in this example where the purple extension is sewn in on the binding edge of the brown envelope. This album is bound with screw posts.

Slits and slots:


Photo corners:


Snaps:

 
These plastic snaps are a scrap-booking item, and operate much like a traditional sewn snap, but are attached more like a brad. A tiny hole is made in both item and page. The two parts of the snap are inserted through from front and back and “snap” together holding them in place.

Screw posts:


Screw posts are much like eyelets, as holes must be made in both item and page. They can hold thin to very thick items, and come in a variety of metals. These are usually used for binding, with extensions available to adapt the original to hold a collection of expanding material. But they can be used for putting a single item onto a page. These are often available at hardware and stationary stores.

Adhesive: Tape

All kinds of tape can work: traditional adhesive tapes such as medical paper adhesive tape, electrical, masking, double-sided, or cellophane. Newer products like colorful washi tape can also be used highlighting the attachment or construction while at the same time adding decoration. Just keep in mind that all tapes have adhesive that is extremely difficult if not impossible to remove.

Needle and Thread:


By machine or hand sewing a needle and thread can attach paper together not just cloth. Paper is not as forgiving of mistakes when sewing, but it works well for many things. I’d recommend testing the paper, needle size and type, and thread combination with the intended materials before embarking on a big project.

Buttons:


Attached with thread, buttons can also be used with a paper page to attach items. To help avoid tearing through the paper, sew a small piece of Tyvek behind the button to reinforce the attachment. Old shipping envelopes can be cut up for this purpose. The button can be used to help secure the thread attachment, sewing through the item and page, or it can be used with a buttonhole if the item can be cut into and has enough flexibility and strength to do so. Often flat buttons are most useful, especially if they will go into some kind of book or album. Stores that sell scrapbook supplies often have such flat, decorative buttons, and these are available at sewing stores as well.

Paper Frames:




Like pockets and envelopes, paper frames can be attached to a page as a means to hold a photo or bound in as pages when binding a new album. These frames can be folded to fit a photo and hold it in place without using adhesive.




This photo shows the reverse side of the frame above.












As I mentioned in my last post, with all these attachment methods remember to keep the spine and foredge of your book balanced with regard to the thickness of your added items. Doing so will help you avoid the foredge splaying out and the book not closing. When creating a new binding, stubs can be added at the spine to accommodate the addition of items over time.

I hope these suggestions prove helpful. I often collect small pieces of paper or ephemera, especially as reference for future projects. Sometimes I just toss these into a box, but perhaps I ought to create a “book of inspiration” using some of these attachment methods. Like commonplace books of the past, my book would be both personal and useful. What kinds of uses do you see for these attachments? What other attachment methods do you find helpful?

Written by Stephanie Wolff

Tuesday, May 27, 2014

Book Arts Prize Program 2014

The Book Arts Prize is a juried award given every year in recognition of excellence in the creation of a hand printed and bound book made in the Book Arts Studio by a Dartmouth College undergraduate or graduate student.  The cash prizes are made possible through the generosity of the Friends of the Library.

There are four prize categories:

Book Arts Grand Prize
Letterpress Printing
Hand Binding
Artist Book (new category)

The Book Arts Program is fortunate to enjoy the participation of local bookbinders, printers, and amateur book artists.  Again this year the competition will be open to the community to recognize and reward excellence in their work.

For complete details as well as the submission form go to the Book Arts Prize webpage.

All entries must be submitted by 5:00 pm, Friday, May 30.

Tuesday, February 11, 2014

Book Arts: "Hiding in Plain Sight"

Early in January Dartmouth's student newspaper, "The Dartmouth" featured the Book Arts Workshop in an article that does a wonderful job describing who we are and what we are about.  The complete article, "Behind the Curtain: Workshop hides resources in plain sight" may be found here.

Barb Sagraves, Head, Preservation Services 

Tuesday, September 24, 2013

Book Arts Program Updates


Since the middle of summer there has been a busy hum of activity in the Dartmouth College Library Book Arts Studios.  The letterpress studios received a fresh coat of paint and the space was rearranged to create better work areas.  Bob Metzler obtained a Golding map press which now sits just inside the door to Rm. 21 and he also secured a donation of Garamond, Lydian, and Caslon type that had been used by the Golden Hind Press.  Bob and Won K. Chung took on the difficult job of moving our paper supplies and extra type out of an under-stair storage closet and into a much better location in Rm. 25.  Deborah Howe and Stephanie Wolff restocked the bindery studios and have everything in good order for the fall workshops.

Sarah M. Smith began her appointment as our first Special Instructor and she has been working with our current team of instructors to design workshops for the fall term.  We will be continuing Letterpress Orientation on Monday nights and adding two weekend workshops that will fulfill Letterpress Orientation requirements.  Open studio times are being offered during weekdays as well as Thursday nights in order to meet the demand for studio time.  Go to our EventBrite registration page to see complete descriptions and to register.

If you haven't visited the Studios please drop by sometime and say hi to Sarah.  She will be in the studios most weekdays from 10:00 am - 5:00 pm.

Written by Barbara Sagraves.

Tuesday, June 4, 2013

Learn and Practice the Book Arts Over The Summer

During the academic year, the Dartmouth College Library Book Arts Program offers workshops and open studio opportunities that allow for the advancement of skills and knowledge. Most summers we take a break from the full range of opportunities, and this summer is no exception. Our program will only offer a single class: The Letterpress Intensive, but that doesn't mean the learning fun has to stop! Whether you will be in Hanover, back in your hometown, or in a city somewhere around the globe, chances are there is a way to practice the book arts. Here are a few suggestions to expand your knowledge until we are fully open again in the fall, or if you happen to be away from Hanover. Here are suggestions of workshop locations, as well ideas for self-study. There are many more possibilities for learning than what I have mentioned here so I have included some general links to more listings of book arts study opportunities.

If you are looking for others to teach you:

There may be a book arts center where you are going. Multi-week, weekend, and one-day programs can be found through these places, including:

If you are willing to teach yourself:

I am a big advocate for self-study. There is so much out there, whether on the Internet or on library shelves, available for free if you take the time to watch or read. Nothing beats hands-on demonstration and practice with a knowledgeable and gifted teacher, but sometimes it is not very practical. So get your Google skills fired up and search the web for those resources. A good place to start is checking out the great information on Peter Verheyen's Book Arts Web. For letterpress printing, try the Boxcar Press's website and their blog,
Ladies of Letterpress, and Briar Press. Some book artists blog about the practical skills that are part of their art practice, including Sarah Bryant of Big Jump PressCarmencho Arregui, and Jana Pullman.

If you want to learn a particular binding or technique, use both the traditional web search and use an image search. Sometimes we don't have the words to describe what we know visually, so an image search can be useful, as the image can link back to more information. You can also search specifically for tutorials, or just Google your question.

For a link into the community of bookbinding and book arts, check out the Guild of Book Workers and the College Book Arts Association. These organizations offer information and networking opportunities.

Stop in at your local library, whether a small public or large institution, and see what might be on the shelves. Remember that many libraries have inter-library loans and can help you get a title to borrow. Also, your local bookstore may have a volume you want to purchase. The Dartmouth College Library has many books on printing, binding and other book arts that can be checked out, including the Ray Nash Collection, housed in the Current Periodicals Room.

Don't forget you can sign up for our list serv and we will be alert you to any book arts opportunities that arise here at Dartmouth. Check out our webpage and see what's up!

This fall we'll have the addition of our new Book Arts Special Instructor Sarah Smith. She will be in the shop and bindery, with a new line-up of opportunities to learn and practice the book arts. We look forward to seeing you then.

By Stephanie Wolff

Tuesday, March 5, 2013

Amos Kennedy Came to Town and Left an Impression

Amos Kennedy was on campus from January 28th to February 1st, dovetailing with the Martin Luther King, Jr. activities. His visit was sponsored by the Office of Institutional Diversity and Equity, Friends of the Dartmouth College Library, Preservation Services, and the Dartmouth College Library Book Arts Workshop.



Amos intersected with campus events in many areas. He visited Michael Chaney's class on Dave the Potter, where he viewed student work and discussed his own work and ideas (photo above). On Tuesday night he had dinner with ten students arranged by the Office of Institutional Diversity and Equity, and Wednesday night he was at a viewing of Proceed and Be Bold, a documentary about Amos by Laura Zinger (also available in the Jones Media Center). He was also interviewed on "Word of Mouth with Virginia Prescot on New Hampshire Public Radio (listen here).

The workshops were a drop-in style, and over the course of the workshops we estimated 200 visitors. Five posters were produced based on quotes that were submitted by members of the Dartmouth community.
Written by Deborah Howe.

Tuesday, January 29, 2013

History of the (Big) Book

In my role as a Book Arts Instructor, opportunities arise to work with students on book projects for their academic work. This past fall semester students in Professor Alexandra Halasz’s History of the Book class participated in a hands-on letterpress and binding exercise in class, and then had the option of producing a hands-on book project in lieu of a final term paper. Of the 17 students enrolled, 10 students chose this option, with three pairs of students choosing collaborative work.

The bookwork produced included a range of structures and content, including a flip book that plays with a homograph, a set of variations of a binding structure, a three-dimensional piano with a Möbius strip musical box exploring a canon cancrizans, an illustrated, digitally produced drum-leaf binding with a new tale about a Dr. Seuss character, letterpress-printed scrolls interpreting the mezuzah, a pocket-sized letterpress-printed book with a poem, and an enormous codex with hand-written text.

Students employed a variety of facilities and workshops on campus: the 3-D printer at the engineering school, the woodshop and jewelry studios in the Hopkins Center, as well as the Jones Media Center, the Book Arts Workshops, and the Preservation Services conservation lab here in the Library. Each of these projects had their complexities, and students called on the expertise of instructors and technicians as needed. These photographs illustrate some of the steps Cally took to make her big codex book. She, along with other students, worked in our lab in Preservation Services, where her proximity to all of us allowed for instruction and advice as needed.

Callista Womick '13 sews the light green endsheet onto her textblock of newsprint folios 

Gluing up the spine

Rounding the spine

Preparing to cover the plywood boards with white bonded leather, assisted by Book Arts Instructor Elizabeth Rideout 

Done! Home to dry the book under weight

Finished book displayed open

It is always a pleasure to see the end product of student work, but particularly rewarding to see the process in action and to help students make their ideas tangible. Here’s hoping these students, and others from this class, return to the workshops as their time and interests allow.
Written by Stephanie Wolff.

Tuesday, January 22, 2013

Book Arts Special Instructor Appointment

I am very happy to announce that Sarah Smith has been appointed the first Book Arts Workshop Special Instructor. Sarah has an MFA in Book Arts and Printmaking from the University of the Arts in Philadelphia and is a skilled letterpress printer and bookbinder. She also has deep experience with student instruction, shop management, and digital printing. Sarah comes to us from Montserrat College of Art and Endicott College where she is currently teaching. In her capacity of Assistant Professor at Montserrat she is Chair of the Book Arts Program and manages Imposition Press. Sarah has also taught at Simmons College and was an assistant book conservator for some time at the Northeast Document Conservation Center.

Sarah's appointment is a significant step in the life of the 23-year-old Book Arts Program, and everyone associated with it are extremely excited. The Special Instructor is a full time, ten-month appointment for three years and is being funded by the Friends of the Dartmouth College Library, the Dartmouth College Library's Cornell Fund, the English Department, and the Associate Dean for Arts & Humanities Office. When Sarah joins us we will be able to increase the number of instruction and studio hours as well as facilitate greater curricular use of the workshop. Sarah will begin her appointment on September 1.
Written by Barbara Sagraves.

Tuesday, January 15, 2013

Amos Kennedy Visit to Dartmouth


Sponsored by the Office of Institutional Diversity and Equality, Dartmouth College Library and the Friends of the Library.

Amos Kennedy is a letterpress printer using a distinctive voice to create posters, artists’ books, and publications. Through his strong graphics and bold typography, Kennedy pushes issues of race, freedom, and equality, often incorporating proverbs and tales of the Kuba and Yoruba people of Africa, as well as the work of African-American poets such as Paul Laurence Dunbar. Amos quit his corporate job at the age of forty to become, as he calls himself, “a humble negro printer”. He received his MFA from the University of Wisconsin, has taught workshops in over seven countries and is currently spearheading the Detroit Printing Plant.

The Rare Book & Manuscript Library at the University of Illinois at Urbana-Champaign holds a large collection of Amos’s work containing artists' books, postcards, and posters. His work can also be found in many other collections such as Northwestern University and the libraries of New York’s Metropolitan Museum of Art, but Amos will sell you an original letterpress print for just fifteen dollars. “My posters are for everybody,” says Kennedy. He is also the subject of a documentary by Laura Zinger called "Proceed and be Bold.”

Exhibit: Baker Berry Library
Letterpress broadsides by Amos Kennedy reflecting on life, race and injustices. During the month of Janurary there will be an exhibit of Amos Kennedy's posters on display in Berry Main Street.

Event Schedule:
Events will take place in the Book Arts Workshop located in Baker Library, rooms 21-23 (West entrance, lower level, around the corner from the Orozco murals). All events are free and open to the public.

Monday, January 28th
11:00 AM - 1:00 PM Printing demonstration in the Book Arts Workshop hall with the Washington iron hand press.
1:30 PM - 5:00 PM Amos Kennedy will be printing his colorful and unique posters using the Vandercook press. Come by to print your own poster and see what can be done with type. This is a drop in workshop, participants are encouraged to come for an extended time period.

Tuesday, January 29th
1:00 PM - 4:00 PM Amos Kennedy will be printing his colorful and unique posters using the Vandercook press. Come by to print your own poster and see what can be done with type. This is a drop in workshop, participants are encouraged to come for an extended time period.

Wednesday, January 30th
11:00 AM - 2:00 PM Amos Kennedy will be printing his colorful and unique posters using the Vandercook press. Come by to print your own poster and see what can be done with type. This is a drop in workshop, participants are encouraged to come for an extended time period.
7:30 PM Proceed and be Bold: A Film by Laura Zinger. A few years ago independent film maker Laura Zinger made a documentary about Amos. The film covers Amos Kennedy’s background but more than that it addresses issues of race, finding your voice in the modern world, and discovering your passion. Come and see the film and hear a lecture by the man himself. This event is sponsored by the Friends of the Library. Location: Hood Auditorium.

Thursday, December 20, 2012

Congratulations, Stephanie!

It is with great pleasure I announce that Stephanie Wolff has been promoted to Assistant Conservator. A major responsibility of this new position is to be the conservation digital liaison, which will manage workflow and treatment assessment for conservation work needed in response to digital projects. In addition Stephanie will be further integrated into the evaluation and treatment of special collections material.

Stephanie joined Preservation Services full time in May of 2006. Since then she has trained numerous students to perform routine conservation treatments and has treated extensively, items from special collections. In 2011 she received her MALS degree from Dartmouth, with her studies focusing on “the book”. In addition to her preservation duties, she is an instructor in the Book Arts Workshop.

Please join me in congratulating Stephanie.
Written by Deborah Howe.

Tuesday, September 25, 2012

Dartmouth Book Arts Listserv

Want to hear the latest news from the Book Arts Workshop? Be the first to know when the workshop schedule is posted? If that is you then sign up for the Book Arts Workshop listserv! The listserv will alert you to the latest news and special announcements. Subscription is open to anyone so sign up today!

To subscribe click here or copy this address to your web browser: https://listserv.dartmouth.edu/scripts/wa.exe?A0=dartmouth-book-arts-list and click on the "Subscribe or Unsubscribe" button. It's quick and easy so sign up today!

Written by Barb Sagraves.

Tuesday, September 18, 2012

New Position: Book Arts Work Shop Special Instructor

I am thrilled to announce the creation of the Book Arts Workshop Special Instructor position (DRM-D) responsible for the day-to-day operation of the letterpress and bindery studios. This new three-year, 3/4-time term position will collaborate with Dartmouth College faculty on book arts seminars and exercises, work with and mentor undergraduate and graduate students in developing skills related to the book arts, and be responsible for the day-to-day operation of the studios. Hiring a Special Instructor will enable the Library to significantly increase the number of hours the studios are available to students, faculty, and others.

The position is funded by the Friends of the Dartmouth College Library, the Dartmouth College Library's Cornell Fund, the English Department, and the Associate Dean for Arts and Humanities Office.

For a complete job description and to apply on line, go to Dartmouth College Current Job Listings. Please refer to position #1011369.

All applications require a resume and cover letter. Candidates invited for an on campus interview will be requested to present a portfolio of their work with examples of: letterpress printing including broadside, chapbook or edition printing; bookbinding including single signature and multiple sewn signature structure, adhesive bound and non-adhesive bound structure, portfolio, and box construction; and innovative work in the book arts.

Application review will begin on October 15, 2012.

Written by Barb Sagraves.

Tuesday, June 12, 2012

Book Arts Prize Winners for 2012

The Book Arts Prize is a juried award given every year in recognition of excellence in the creation of a hand printed and bound book made in the Book Arts Studio by a Dartmouth College undergraduate.

This year the grand prize award of $500 was given to Taylor R. Campbell, '11 for his entry of "Resigned".
Resigned
The colorfully bound, printed, and illustrated book contains dialogue between Number Six and Number Two from the 1967 British television show, The Prisoner. The judges considered the entry an impressive use of polymer plate printing with traditional letterpress.
Resigned

Honorable Mention for the Book Arts Prize and recipient of a $75 award was Hye (Amy) Gu, '12. Ms. Gu’s poetry book, "Tagore", features the use of letterpress and blind stamping.

The award for Best Hand Bound Book went to Bridget A. Herrera, GR, for "Taino Myths".
Taino Myths
The book of broadsides illustrating authentic petroglyphs and pictographs of the Hispaniola people is a drum leaf binding that opens to each image and allows the viewer to be enveloped by the world the images creates. Ms. Herrera will receive a prize of $150.
Taino Myths

This year because of a number of high quality letterpress entries created with different processes the judges decided to recognize traditional letterpress printing and alternative printing techniques. Sarah Parkinson, '09, won for best Traditional Letterpress Printing with her entry of "Words in Orbit".
"Words in Orbit"

The best example of Alternative Letterpress Printing went to Bridget A. Herrera, GR, for "Deus Est Machina". Each winner will receive $150.
"Deus Est Machina"

Honorable Mention prizes of $75 went to Sarah Parkinson in the Alternative Letterpress category and to Do-Hee Kim, '12, for Traditional Letterpress.

All the winning entries are on display in the Treasure Room cases in Baker Library beginning Saturday, June 9 through the Fall 2012 term.

Congratulations to all the contestants and special thanks to the Friends of the Library for their support of this competition.

Written by Barb Sagraves.

Tuesday, March 27, 2012

Book Arts Prize for 2012

The Book Arts Prize is a juried award given every year in recognition of excellence in the creation of a hand printed and bound book, letterpress printing, or hand binding made in the studio of the Book Arts Workshop. Deadline for entries is June 1, 2012.

Prizes will be awarded for the following categories:
  • Book Arts Grand Prize: $500 Awarded to a Dartmouth College undergraduate who combines letterpress printing and hand book binding to create an original book. The book should be letterpress printed and bound in the Book Arts Studios.
  • Letterpress Printing: $150 Awarded for the best example of letterpress printing produced in the Letterpress Studio by a Dartmouth College undergraduate or graduate. Submissions may be a single broadside (minimum dimensions 14" x 17") or a collection of at least three printed items.
  • Hand Bookbinding: $150 Awarded for the best example of a book bound by hand in the Bindery Studio by a Dartmouth College undergraduate or graduate. The book may contain blank, letterpress, or digitally printed pages. The text will be judged only in how the binding relates to the book's content.

For more information or a submission form visit the Book Arts Workshop Prize page.
Written by Barb Sagraves.

Tuesday, March 20, 2012

Toning Book Cloth and Basic Color Mixing

As part of this term’s Book Arts Workshop core theme of color related techniques, I taught a workshop this term on toning book cloth. There are many applications for custom-colored or custom-made book cloth in both artistic work and conservation.

Here in the conservation lab, the most common use is a spine repair on a cloth-cased book. The repair uses a color-matched piece of muslin to replace a broken spine or hinge. The result is a visually unobtrusive repair, which is great for many of the older cloth bindings in the library. Our simple process for toning book cloth uses basic tools and materials, and is easy to set up.

To prevent strike-through when applying glue or paste in the final use, spread out the material on a hard, smooth surface (counter top, plexiglass, or Mylar). With a large brush, give the material a good coating of methyl cellulose and allow to dry before peeling it up. Once dry, it will separate nicely from your work surface. The methyl cellulose will have dried shiny and smooth on the bottom, creating a good barrier and surface for gluing out your material.

The next step is applying color, which can be done in one or multiple layers. In the lab we use acrylic paints which dry quickly and true to color. Mix the paint to best match the book being repaired. A small amount of methyl cellulose can be added to the paint, which makes it easier to spread. With a large paint or paste brush, paint the mixture onto the more textured side (the side that faced up while the methyl cellulose dried). If the color seems pale, add more paint to your mixture and/or additional coats after drying. When toning is finished and the last coat is dry, it is ready for use.

Here are some tips on basic color mixing:
  1. You can make any color you need by mixing different combinations and amounts of three primary colors and then altering the new color with black or white.

    Primary colors: Red, Blue, Yellow
    Secondary colors: Violet (purple), Green, Orange
  2. Make secondary colors by mixing equal parts of two primary colors.

  3. There are many gradations between each primary and secondary color on the color wheel. Any three of these together is an analogous color scheme. Mix them by gradually adding a little at a time of one color into the next.

  4. To “dull down” a color or make it more brownish, add a small amount of its compliment (the color directly across on the color wheel). Example: to dull down blue add a little orange, etc.

  5. To make a color lighter or darker, add white or black. The new color is a “tint” or “shade”, respectively, of the original. Example: red + white = pink / tint of red, and blue + black = navy / shade of blue.

    Tints:


    Shades:
Written by Elizabeth Rideout.

Tuesday, October 4, 2011

Book Arts Program News - Digital Printing

The final new development for the Book Arts program this year (see developments #1 and #2) is a fantastic new digital printing set-up for use by participants in both the letterpress and the bindery studios. It includes a computer, software, scanner, and printer so students can explore the artistic possibilities of digital printing without leaving the studio! We’re really excited about this, and we hope it gets a lot of use in this year’s workshops and College Course 11, the Book Arts Studio Seminar.

Book Arts Program digital printing set-up

We don't have any specific workshops focused around digital printing yet, but we're open to new ideas and suggestions, so let us know if you have any thoughts on classes you'd like to see us offer. We can't wait to see what creative projects students come up with using this new equipment!

Thursday, September 22, 2011

Book Arts Program News - Bindery Studio Core Classes

The second big change for the Book Arts Program this fall (see here for the first one) is taking place in the Bindery Studio. Previously, we have offered a rather random assortment of workshops on various book structures. While that was fun, after listening to feedback provided by our students, we thought we'd try out something a little different this year.

In addition to our structure-based workshops such as the long stitch and the piano hinge binding, we're going to start offering "core classes" that teach some of the fundamental techniques used in hand bookbinding and the book arts. These will include skills such as proper equipment use, measuring and cutting paper, sewing and casing-in a standard hardcover book, and making decorative paste paper and bookcloth to use for your bindings. The core classes will be based around different themes each term, such as "basics", "adhesives", "color", and "repair".

This fall the theme is "basics" and we will hold three core classes throughout the term:

Check out our fall bindery workshop schedule for more information about these classes. You can register with our new online registration system either from the bindery schedule page or from our events page on EventBrite. We hope you're excited to learn some of these bookbinding fundamentals, and we look forward to seeing you in the bindery this fall!

Tuesday, September 20, 2011

Book Arts Program News - Online Registration

We’re gearing up for the fall term at Dartmouth, which means the Book Arts Program will soon be open again. This program is housed in the library and managed by Preservation Services, and it is one of the best hidden gems on campus. There’s a letterpress studio and a bindery studio, each of which offers workshops and open studio time. The best part is, the workshops and studios are free to use by anyone…students, faculty, staff, and we also welcome community members not affiliated with the College.

But as awesome as the Book Arts Program is, we thought it could get even better. So we’re introducing some new developments this fall which we'll be highlighting in the blog over the next few weeks. We'll kick things off today with the introduction of a brand-new online registration system for our workshops.

Registration for bindery workshops, letterpress orientation sessions, and letterpress open studio sessions will now be done through our events page on the EventBrite website. In addition to making our lives a little easier, this system offers a few great new features such as:

  • Anyone can follow our RSS event feed to learn about new workshops as soon as they’re posted.
  • You can view all of our upcoming events and register for them in one place.
  • All of our event pages have social media links, so you can email, tweet, or like our events to share them with your friends!

As with all of the Book Arts Program workshops, although these are open to the general public, priority is given to Dartmouth students. Non-students will be able to register for any of the workshops one week before they take place, assuming there are still seats available.

We think this registration system will be a great improvement for the already-wonderful Book Arts Program, and we hope you do too! If you have any questions about registration, feel free to contact us. Stay tuned for more information about the rest of the upcoming changes to the Program!

Written by Helen Bailey

Tuesday, June 7, 2011

Pick a type, any type!

Some very exciting news for the Book Arts Program letterpress webpage. This past week I've been working really hard to take the excellent type specimen books that we have in the letterpress studio, scan in each page, and compile a comprehensive collection of digital samples of our physical collection.

Each page was then chopped up into the individual fonts, labeled and separated, and uploaded to our website! Now, without leaving the comfort of your own home, you too can browse our collection. Whether in preparation, inspiration or to just spend time day-dreaming about that amazing project you're going to create, take some time to paroose our collection! You can gaze alphabetically by font name, or just click through each page as it is arranged in the books that you'll find in the letterpress studio. Click to behold the beauty!

Written by Beth Hetland