Book Arts Workshop Prize for 2016

The Book Arts Prize is a juried award given every year in recognition of excellence in the creation of a hand printed and bound book made in the Book Arts Studio by a Dartmouth College undergraduate, graduate, or community member.  The cash prizes are made possible through the generosity of the Friends of the Library.  The winners are:

Grand Prize (shared)

Kassie Amann, ‘16

This Must Be The Place

$500 award

Grand Prize (shared)

Marie Schwalbe, ’16

Mountains of Vermont

$500 award

Artist Book

Hyun Ji ( Jenny) Seong,‘16

Memoriscapes – The Book

$150 award

First Prize in Hand Bookbinding

Amalia Siegel, ‘16

Waste / Land

$150 award

First Prize in Letterpress Printing

Matteo Visconti di Oleggio Castello, Grad

$150 award

Honorable Mention in Letterpress Printing

Josh Kauderer, ‘19

Dulce Et Decorum Est

$75 award

All the winning entries are on display in the Treasure Room cases in Baker Library beginning Saturday, June 11.  

Written by Barb Sagraves

Print a Letterpress Winter Carnival Poster!

Join the fun! 

Drop in anytime on Friday, Feb. 7th, 

from 12:00pm to 3:00pm 

and print your very own 

Winter Carnival Poster!

We will be set up in the hallway outside of Baker 25. 

No registration required.

In the Book Arts Workshop: Flat Sheet to Folio

Recently Book Arts Special Instructor Sarah Smith and I taught a two-day workshop in the Letterpress Studio, Flat Sheet to Folio creating a simple folded booklet using pressure printed imagery and letterpress printed text. Our project came from an exercise introduced to me by Steve Miller, professor of Book Arts at the University of Alabama, during a letterpress workshop at the Wells College Book Arts Summer Institute some years ago. Steve shared examples of this simple folded page and demonstrated its versatility in conveying a short piece of text with illustration. Many of the examples Steve shared used a linoleum block print. In our workshop we used the pressure printing technique.

We warmed up by creating an

origami envelope to hold the finished edition.

After discussing the way design and structure work together in this form, we began making our pressure prints. A pressure print uses a matrix under the printing paper that creates an impression when it comes in contact with an inked base plate held in the press bed.  We used a piece of type-high Plexiglas-topped MDF or plywood. A word of caution: check packing carefully prior to printing so not to damage the press.

                                

First we created the matrix from which to print the image.

                              

Then onto mixing ink color and printing.

                             

A finished matrix.

                             

Printing a pressure print. Placing the matrix under the printing paper and

                                          

Printing as usual.

                                                    

A finished print.

                     

                              By the end of the first day we each had a stack of twenty prints ready for text.

                              

The next day, Sarah presented a short lesson on setting type.

                                        

Imposition.

                                   

And then after mixing up a nice
 red-orange ink,

demonstrated the process of priniting text.

       






                    

Once the Vandercook SP-20 was all set, I worked on the 
SP-15 with the students who wished to print with blue ink.

As students switched out their type, the required adjustments for each person’s folio became an opportunity to learn some of the nuances of imposition. With all the printing completed, we cleaned up and distributed type. 

Just before the end of the day we collated our sheets to complete the small edition. Each of us took away the sheets flat, which when dry, will become folios and fit into our envelopes. Lots of fun with image, text, and the press!

Written by Stephanie Wolff