Tuesday, November 25, 2014

Road Trip to Geographies: New England Book Work, the New England Chapter of The Guild of Book Workers 2014-2015 Exhibition

On October 8th, 2014, Stephanie Wolff and I were invited to the University of Vermont to give a talk about the Geographies: New England Book Work exhibit and to share our techniques and approaches to our own work. The event was coordinated with the recent meeting of the Book Arts Guild of Vermont at their annual meeting to view special collections material. Prudence Doherty, Public Services Librarian, was our host and very generously brought out many items from the Library’s collection which also related to the theme of New England.

Upon our arrival the exhibit space was nicely occupied by students, hopefully some of them had taken the time to consider some of the items in the cases!


Here is a 180 of the three cases displaying the work. It’s not often that exhibitors get to see what the shows look like as a whole and this one was especially well displayed, thanks to Stephanie Wolff and Linda Lembke.






The first part of the program Stephanie and I talked about the show and highlighted the various techniques and expressions of creativity that were reflected in the bindings. 


Prudence, opened up the cases so we were able to really show the books in more detail, taking turns to point out the special features of many of the bindings. The show displays a wonderful array of fine bindings as opposed to artist’s books so we had an exploratory dialogue on the nuances between those two factions of binding approaches. 


After our time at the exhibit we retreated downstairs to Special Collections where Stephanie and I talked about our work. I come from a more traditional approach where I will always select a text and create a binding that reflects the contents. Stephanie on the other hand will take great pains and process to create the whole entity of her work. She brought to share all of her “story boards” that illustrated her voyage from concept to finished product. As a look into an artist’s creativity this was a wonderful opportunity to really see how these wonderful bindings come to be.

After our talk we stayed a bit to look at the wonderful items that had been placed on the table and had a pleasant visit with many of the members. I thank Prudence and the Book Arts Guild of Vermont for this opportunity to come together.

For more information about the exhibition, check out the Guild of Book Worker’s New England Chapter website.

The exhibit will be at the Bailey/Howe Library at the University of Vermont, Burlington, VT through December 12, 2014.


Written by Deborah Howe

Tuesday, November 11, 2014

Space Oddity: Dartmouth Canes

The American Library Association annual conference concluded in early July and while at the conference I gave a presentation to the Book and Paper Interest Group of the Preservation and Reformatting Section of the Association for Library Collections & Technical Services. The theme was "Space Oddity" and the presentation had to be given in an Ignite Talk style, in our case 15 slides at 20 seconds each for a total of 5 minutes.

What follows are the slides and my comments for each.

Canes of Dartmouth College
1800-2008






This storage solution for Dartmouth's collection of canes was created by North Bennet Street School summer interns, Becky Koch and Laren Schott, with oversight from Deborah Howe, the Collections Conservator.












The problem was how to store these wooden canes. The bulk of the collection were canes hand carved by Dartmouth students during their senior year. The most common embellishment of the cane head is what is know as the "Indian Head Cane".


Here Deborah and the interns are arranging the canes by size.

Prior to this treatment the canes were stored in a type of umbrella stand with open sides and very little protection. The canes were not stable and would slip and slide within the stand. The enclosure solution used both pre-made boxes and custom fit inserts. To begin, the canes were sorted by size. Most of the canes were a standard length. 




The canes were surfaced cleaned prior to rehousing them. To surface clean them our interns took dry and sometimes slightly moistened (with water) cotton swabs and wiped away soot and dust. No repairs were necessary. All of the canes were in generally good shape.




The housing solution consisted of adapting a pre-made box to hold an insert tray, and thus created two layers for storage: a bottom layer and the insert tray forming the second layer.

Pre-made box.
The pre-made box was purchased from Gaylord. It was made of polypropylene measuring 
38 inches x 24 inches, and about 6 inches deep.


Using heavy, natural cotton webbing, handles for the pre-made box were created and reinforded with Vyvek to help support the weight. The Vyvek is shown inside the box, where the cloth webbing is threaded through. Deborah suggests that in the next iteration of this box she would improve it by adding support stops for the insert tray to the pre-made box.



The insert tray was fabricated from 2 pieces of blue, acid free corrugated board. Adaptations were made because a single sheet was not large enough to build the walls up.

     





For the insert box special attention was also paid in building handles that could withstand the weight of the canes. To do this the cotton webbing was threaded through the bottom of the tray that had been reinforced with a layer of 40pt board for extra support.
                       































In order to separate the canes from each other dividers were made from 10 point map folder stock. The folder stock was creased and folded to create a pocket. Each pocket was about 2 inches deep and 3 inches wide. Two pieces of folder stock were needed to create each divider layer.


To construct the dividers score lines were determined and a pattern was made from a strip of paper. These marks were transferred to the 10 point folder stock.


Both short edges of the 10 point were marked, then the pencil marks were lined up on the edge of the table. The 10 point was creased cross grain to maximize length and to improve rigidity in the walls of the dividers. Because of the length creasing on the board shear was not possible.



The dividers were placed on both the bottom layer and the insert tray. They were not attached in any way – although they could be if desired. Deborah suggests sliding in 40 point strips inside the divider walls to give additional support and rigidity.






With the dividers in place the canes were arranged on each layer and the insert tray placed on top. Each box can hold 16 canes: 2 layers of 8 canes each. When each box set was constructed it was bar coded and labeled with the archival series number.


Bottom layer with canes.



























Insert layer in the box with divider and canes.


There were also canes of irregular size: longer than the rest or with heads that made it difficult to apply a standard approach. For these canes the divider was placed diagonally in the box and the canes arranged accordingly.




By the end of the project over 100 canes were cleaned and stored in 8 custom boxes for 24 linear feet, and shelved in the Special Collections remote storage facility. A finding aid for the cane collection now lists the canes by individual box number thus improving not only the storage but also making it easier to retrieve a single cane. By this single conservation treatment both storage and retrieval have been improved.



Thanks to Deborah Howe for collaborating with me to create this Ignite Talk and to Becky Koch and Lauren Schott who designed this storage solution.



Written by Barb Sagraves